My portfolio gathers the visual art, writing, speaking, films, games, and cultural projects that carry my worldview into form.

Across disciplines, my work returns to a shared set of questions: How can Black Southern memory become material for future-making? How can ordinary life become a site of beauty, imagination, and worldbuilding? What happens when joy, elderhood, land, home, fandom, technology, and cultural memory are treated not as side notes, but as serious sources of intelligence?

The projects below include current and past bodies of work, personal experiments, commissioned projects, public-facing initiatives, and developing worlds. Together, they offer a glimpse into an evolving practice rooted in art, language, storytelling, play, and the belief that extraordinary futures often begin with what we already carry.